Goncharov was special because not only did we establish canon, we created a whole fanon gay interpretation and proceded to ignore the (not even real) original in favour of it. And thats what tumblr is all about.
the beauty of it is that we *could* have made it gay in the original, being queerbaited was a choice because people of this hellsite are so used to it by this point.
goncharov (1973) dir. martin scorsese // h of h playbook – anne carson // @/orpheuslament (x) // wolf in white van – john darnielle // “the gods show up” – michael kinnucan (x) // @/annevbonny (x)
The trailer for the new Goncharov movie has been leaked! I’m afraid a lot of people will be disappointed because it’s not going to be a faithful remake of the original, like we were expecting. However, a whole lot of other people will be glad to know they won’t be attempting to recreate the original! Why mess with what already works? I’m glad they’re bringing back the original theme by Jordan Dean, though. It wouldn’t be Goncharov without it.
Reblog if you can. It’s not on any other sites because it’s not an official release, and there’s always the chance Disney will shut it down.
man just when i think “maybe it’s not that funny” i remember that we’ve all silently agreed that Matteo JWHJ0715 is just. a normal name. yeah he’s the director what about it. his mother was italian and his father was a license plate
Seeing a lot of Goncharov content but only real 70s movie heads will know that Spanish director Pere Portabella was meant to be making a behind-the-scenes documentary of the film which turned into a whole other thing. It’s called GOMORRA CALLS.
Scorsese is in it and so are his parents, for some reason. At first you’re just like oh this is cute, they’re bringing food to the set, taking an interest in what’s going on. But it becomes this quite… Creepy reality-bending thing? His mother keeps cryptically referring to weird telephone calls they’ve been getting at home, and his dad keeps moving things on the set, you can only see what he’s doing if you spend a lot of time watching him at the edge of the frame while someone else is talking. And sometimes they’ll get to the set in the morning and find things left in the wrong place, there’s a weird smear on a camera lenses, one of the actors has lost half the pages from the copy of the script they’ve been learning from.
I think the idea was meant to be that they’re being hounded by the realfe mafia for making the movie. But it almost seems like they’re being haunted by the ghosts of mafia members at times. Like, Scorsese’s hotel room will be freezing cold, and he’s being sent anonymous messages at the front desk in a way that just doesn’t make sense. He says, “I’m not sure if someone is trying to stop this movie… Or if they just want to be part of it. If they want to look at a prop in the wrong place and just say, hey, that was me.”
At the time of its limited run in the US, Scorsese said he didn’t really know what Portabella was making, fueling theories that the film was true documentary and not fictionalised. But it’s listed as fiction on Portabella’s Wikipedia page now, and the prevaing theory is that it must be made up. It’s not been included on any of the Goncharov DVD or Blu-Ray packages but it was supposed to be a Criterion Channel exclusive last year… It never showed up, and there are rumours it’s to do with audio licensing issues. But there’s a VHS rip floating around out there if you know where to look.
