Audio

copperbadge:

whatdoyoumeanitsnotawesome:

cargopantsman:

argumate:

principe-distorsionado:

wolveria:

bassiter:

okay i tried slowing down the cantina song to make it sad but instead it sounds like something that would be playing in the black lodge

OP: “okay, let’s make it sad!” *accidentally opens a portal to the universe of Grim Fandango*

This is what you hear when you come into my room and I’m dissociating

you made it sexy

I knew the kid was trouble as soon as he walked in. The old man didn’t give me any warm fuzzies neither. Sure, I needed the job, but I had a bad feeling about it.

@copperbadge i SWARE i’ve heard this on Nero Wolfe Sam pls tell me i’m not gone mad

Something very similar, anyway. I’d have to rewatch to figure out the bit, but definitely there was a swingy horn part that was very reminiscent of this. 

Oh dear, rewatching all of Nero Wolfe. Whatever shall I do.

silverybeing:

cryoverkiltmilk:

hollowedskin:

supernovajazzy:

dr-peppermint:

martinidog:

worldsgr8testgrandma:

wolfsheims:

Numb // Linkin Park 80s Remix

I didn’t know how much I needed this until I heard it.

The original song is how depression felt at first, this version is how it feels now

@l-heure-du-the this is so VIOLENTLY your fucking aesthetic

From “… nothing matters…” to “NOTHING MATTERS! :D”

grassangel:

The second best 2 and a half minutes of the BBC radio adaptation of Good Omens with Aziraphale and Crowley’s amusing double act as they help Anathema, the implication radio adaption Anathema has brightly coloured hair, and the addition of a luggage rack to the Bentley.

Not gonna lie, I pressed play fully expecting to hear the Greatest Hits of Queen