a leia comic about loss.
Hit him where it hurts, Cassandra! (Apollo is the WORST.)
THIS IS THE BEST MYTHOLOGY COMIC I’VE EVER SEEN HOLY SHIT
“Search him.”
The second time I watched tfa, this scene made me ask: does Poe know who Kylo Ren is? Does everyone in the Resistance know who he is? Is that what this is? like ‘I know your mom, I’m not afraid of you’? Because that’s exactly how I’d talk to this punk ass kid if that was the case.
I’m imagining members of the Resistance being captured by the First Order, and for months after Ben became Kylo Ren, they prefaced every interrogation/conversation with “CALL YOUR MOTHER, YOU PIECE SHIT,” or just heckling.
“Lightsabres aren’t supposed to sizzle like that! What a novice!”
“Oh my god, did you put two tiny sabres on either side of your actual lightsabre. Way to go, Captain Edgelord.”
“You don’t even need a respiratory mask, you hipster dumpster fire.”
“I didn’t realize we were in the presence of Darth Vader 2. Man, sequels are never as good as the original.”
“Nice cape, who picked that out for you, your mom? NO, SHE DIDN’T, BECAUSE I, POE DAMERON, AM HER SON NOW. BB-8 IS HER GRANDCHILD, AND YOU HAVE STUPID HAIR.”
vantablack
[stuart semple, covered in vivid pink, yellow, and green powder staggers up a seemingly infinite number of steps toward the top of a marble pyramid upon which rests his coveted prize]
[he reaches the top, gasping for air. in the middle of the pedestal at the top of the pyramid there is a gaping black hole, endlessly deep.]
stuart semple, quietly: what is this
[sir anish kapoor, from the bottom of the pyramid lifts his head and gazes upward at semple’s back. his face is also covered in pink, green, and yellow. it is unclear how he heard semple’s voice from so far away]
anish kapoor: it is what you seek
semple: it’s so
sir anish kapoor: beautiful, yes
semple, turning his head just enough to look at anish over one shoulder: your reign of tyranny is over, kapoor. youve underestimated me for the last time. i will take the vantablack you so selfishly stole from us and return it to its place in the hands of the people.
sir anish kapoor: youre a fool, semple. stop this madness now before it’s too late. you know not the dangerous powers with which you toy
semple, turning back to face the void: you cannot deceive me, your ploys won’t work
[semple extends his hands, long pale fingers hovering inches from the inky darkness, hesitating]
sir anish kapoor: stuart, no!
[semple’s hand shoots forward and collides with the vantablack. instantly the void envelops his arm, then his whole body. semple’s screams of agony are swallowed in the crushing silence of vantablack and soon the pyramid and sir anish kapoor are also devoured.]
semple: …where are we?
sir anish kapoor: we are unstuck from time and space, trapped in a nanotechnological purgatory
[stuart semple’s lips have been replaced with photorealistic magazine cutouts of other people’s mouths, stop-motion flickering through each syllable, none truly belonging to him]
semple: how,, how could this have happened?
anish, whose entire being has been replaced by a series of clockwork cogs and a single, unblinking eye: you toyed with dangers beyond your imaging stuart. reality itself has been pulled into the vantablack. soon, the whole world will know the void as we do
semple, sobbing into his hands which have become splotches of warmth on a heat-vision screen, his body dissolving into salt and sand: i-i didnt know…… how do i stop it?
sir anish kapoor, his gears turning and clicking ever faster: the same way you stop a galaxy from expanding, a star from collapsing. the same way you stop human avarice and pride, from one man coveting what belongs to another.
semple, weeping: please,,, please tell me
[sir anish kapoor’s cogs begin to break apart, dividing like so many cells into the vast abyssal plane]
[semple, wrought with grief and desperation reaches out to grasp at the eye, which has begun to shrink and disintegrate at the edges. the eye pulses with one last surge of warmth. is it sympathy? is it love? the eye disappears and reality along with it.]
Steve and Peggy’s Modern Adventures (part 15/?)
↳ Personally Peggy likes Steve’s foul mouth. But not everyone understands that.
Nothing happens in contradiction to nature, only in contradiction to what we know of it.
The series HIBERNATION is a series investigating subconsciousness, and the sometimes grey boundary between truth and fiction. It is a personal project that is utilising man and his relation to the landscape as an investigative tool. Based upon real places and events, this series intends to catch moments when our daily reality and our subconscious world sometimes strike each other. It can be seen as a stream of frozen moments, where the story between each frame is as important as the frame itself.