wavelette:

like, the most compelling ships for me always stem out of one thing: the characters have a profound, ongoing effect on each other’s senses of selves. when they are apart, the characters’ actions are still affected by each other. the way they approach the world changes because of the other. 

which is this deeply Austenian view of ideal romantic relationships as mechanisms by which we come to know ourselves better and become better versions of ourselves. good romance, for me, is always tied in with a sense of self-actualization, and the way in which a beloved partner allows a person to know themselves better.

lets-steal-an-archive:

John Rogers, co-creator + executive producer: “Look, if we told you Eliot’s entire timeline or Nate’s entire timeline, you wouldn’t be able to have then have enough flexibility to fold that timeline in with Supernatural in your fanfics because they’d be no space for that. The space we leave is the space for you to write your slash! That’s super important for us to do! We do that for you, people! The fans appreciate the empty space we leave so you can write your Buffy, Supernatural, NCIS, Criminal Minds, Leverage crossovers.”

Geoffrey Thorne, co-producer + writer of this episode: “But don’t do any Doctor Who ones because…”

John: “You’re writing those.”

Geoffrey: “Just don’t do it.”

Chris Downey, co-creator + executive producer: “You’ve staked those out?”

John: “He’s staked those out.”

Leverage 10 Podcast: 512 The White Rabbit Job

*Kung Fu Monkey blog: LEVERAGE #205 “The Three Days of the Hunter Job” Post-game (August 24, 2009) for the original “I think fanfic is the sign of a healthy show” short essay